|
The Yellow House at 59 Macleay Street, Potts Point, was an artists' collective that existed from 1970 to 1972 in Sydney, Australia. The collective was established by artist Martin Sharp on his return from London. The model for Sharp's project was Vincent Van Gogh's Yellow House at Arles and Van Gogh's unrealised dream of establishing an artists' community there.〔'' The Yellow House 1970-72'', 20th Anniversary Exhibition Catalogue, Art Gallery of NSW, 1990.〕 Many well-known artists contributed to the multi-media performance art space that may have been Australia’s first 24-hour-a-day ‘happening’.〔MY Generation by Albie Thoms, Media21 Publishing Pty Limited, 2012 - Australia〕〔Transcript of TV interview by George Negus of some of the Yellow House artists on 15 September 2003. 〕 The canvas was the house itself and almost every wall, floor and ceiling became part of the gallery. The rooms of the house were inspired by Pop Art, Surrealism, Dada and Conceptualism.〔'' The Yellow House 1970-72'', 20th Anniversary Exhibition Catalogue, Art Gallery of NSW, 1990.〕 Films screened at the Yellow House included Luis Bunuel and Salvador Dali's ''Un Chien Andalou'', Fritz Lang's ''Metropolis'', Phil Noyce's ''Better to Reign in Hell'', Leni Riefenstahl's ''Olympia'' and Peter Weir's ''Count Vim's Last Exercise'', as well as works by Albie Thoms, Bruce Petty, Mick Glasheen and Arthur and Corinne Cantrill.〔'' The Yellow House 1970-72'', 20th Anniversary Exhibition Catalogue, Art Gallery of NSW, 1990.〕 ==Notable members== * Martin Sharp * George Gittoes * Brett Whiteley * Ellis D Fogg * Albie Thoms * Greg Weight * Peter Weir * Bruce Goold * Antoinette Starkiewicz 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Yellow House Artist Collective」の詳細全文を読む スポンサード リンク
|